That's All Right
During a pivotal 1946 session in Chicago, Arthur "Big Boy" Crudup laid down a rhythm that changed American music. Backed only by Ransom Knowling on upright bass and Judge Riley on drums, Crudup slashed at his hollow-body electric guitar and delivered a high, urgent vocal over an incredibly propulsive, driving shuffle. While the record achieved modest success, eight years later a teenager named Elvis Presley would famously fool around with the exact same song in a Memphis studio, dramatically increasing the tempo to accidentally give birth to the defining sound of 1950s rock and roll.
The floating-verse lineage for this recording (who else recorded it, where the melody or lyric traveled, and how it was adapted) is still being mapped. This section will trace the song's DNA across the archive.
Contributions welcome at OlMrRead@ccblues.com.