Motherless Chile Blues
Robert Hicks worked as a cook at an Atlanta barbecue stand, which Columbia Records capitalized on by photographing him in his apron. He played a 12-string guitar, often using a bottleneck slide. His style was driving and percussive, heavily rhythmic, and less complex than his contemporary Blind Willie McTell. This track takes a traditional spiritual and structures it into a rigid, repetitive blues stomp. It's a vital document of the early Atlanta blues scene before the Depression wiped out the race records market.
The floating-verse lineage for this recording (who else recorded it, where the melody or lyric traveled, and how it was adapted) is still being mapped. This section will trace the song's DNA across the archive.
Contributions welcome at OlMrRead@ccblues.com.