Show 86: USA Blues, Pt. 11: New York
New York takes center stage here as both destination and laboratory. The state mattered not only for native-born artists but also for what happened when folk revivalists, jazz players, blues collectors, publishers, and migrants all started rubbing shoulders there.
I'm your host. For today's 86th episode of the CC Blues Show, we'll be resuming our USA Blues series where I take you through all fifty states, playing every significant blues musician that sprung up from each and every one of 'em. Last week, we went on a big run across the nation ending in New York, and tonight we'll be finishing off the state and moving on to North Carolina. But this ain't your "Mack the Knife," "Beyond the Sea" Bobby Darin. This is an edgy, topical, self-produced Darin recording for his own brand new label, Direction Records. With this move, Darin was able to exercise some real creative freedom where he explores themes of counterculture, protest, and police brutality. "Me and Mr. Hohner" is a standout track from his second album on the New Direction label. Here, he breaks from his usual style, delivering spoken-word lyrics that sound decades ahead of their time. Darin paints a vivid picture of police harassment in South Philly under Frank Rizzo, who was notorious for his hardline tactics and oppression of marginalized communities. Now, there's tons of diversity in New York's music. You've got your urban cowboys like Ramblin' Jack Elliott, Arlo Guthrie, and Neil Diamond. You've got your hep-cat blues artists like Richie Havens, John Hammond Jr., Lou Reed, and John Sebastian. But you've also got the timeless acts like Tony Bennett, Harry Belafonte, and Bobby Darin, who we'll be commencing tonight's show with. So as we explore New York's musical pioneers, brief but impactful tonight, let's appreciate the courage of Bobby Darin, the counterculture icon, Pete Seeger, labor leader, and Harry Belafonte. But now, here's "Me and Mr. Hohner" by Bobby Darin.
New York takes center stage here as both destination and laboratory. The state mattered not only for native-born artists but also for what happened when folk revivalists, jazz players, blues collectors, publishers, and migrants all started rubbing shoulders there.
| Order | Track | Artist | Segment | Bridge | Story |
|---|---|---|---|---|---|
| 1 | Me & Mr. Hohner | Bobby Darin | 1 | - | |
| 2 | Hanky Panky | Neil Diamond | 1 | - | |
| 3 | Sweet Woman Blues | Ray Campi | 1 | - | |
| 4 | Waiting for a Train | John Sebastian | 1 | - | |
| 5 | Lovesick Blues - Live/1973 | Don McLean | 1 | - | |
| 6 | Buffalo Skinners (Live) | Arlo Guthrie | 1 | - | |
| 7 | Quit Your Low Down Ways | Peter, Paul and Mary | 1 | - | |
| 8 | Which Side are You On? | Pete Seeger | 1 | - | |
| 9 | Three-30 Blues | Duane Eddy | 1 | Yes | - |
| 10 | CC Rider | Richie Havens | 2 | Yes | - |
| 11 | Evil Is Going On | John Hammond | 2 | - | |
| 12 | Baby, Please Don't Go | Al Kooper | 2 | - | |
| 13 | Train Round the Bend | The Velvet Underground | 2 | - | |
| 14 | Statesboro Blues | The Youngbloods | 2 | - | |
| 15 | Back Door Man | The Blues Project | 2 | Yes | - |
| 16 | It Don't Mean A Thing (If It Ain't Got That Swing) | Tony Bennett;Lady Gaga | 3 | Yes | - |
| 17 | Blues Without Booze | Doc Pomus | 3 | - | |
| 18 | Let The Daddy Hold You | Otis Blackwell | 3 | - | |
| 19 | In the Evening Mama | Harry Belafonte | 3 | - | |
| 20 | Hobo Bill's Last Ride | Doc Watson | 3 | - | |
| 21 | The Streets of Laredo | Don Gibson | 3 | - | |
| 22 | Pastures of Plenty (with The Foggy Mountain Boys) | Lester Flatt;Earl Scruggs;The Foggy Mountain Boys | 3 | - | |
| 23 | If the River Was Whiskey | Charlie Poole | 3 | - | |
| 24 | Don't Go Out Tonight Little Darlin' | J.E. Mainer & His Mountaineers | 3 | - | |
| 25 | Two Trains | John Dee Holeman | 3 | Yes | - |
| 26 | When I'm Gone | Elizabeth Cotten | 4 | Yes | - |
| 27 | Step It Up And Go | Blind Boy Fuller | 4 | Story | |
| 28 | Runaway Man Blues | Floyd "Dipper Boy" Council | 4 | - | |
| 29 | Red River Blues | Lesley Riddle | 4 | - | |
| 30 | Never Let Your Deal Go Down | Etta Baker;Cora Phillips | 4 | - | |
| 31 | Blues to Bechet | John Coltrane | 4 | - | |
| 32 | Kansas City | Wilbert Harrison | 4 | - | |
| 33 | Lucille (with Clyde McPhatter) | The Drifters;Clyde McPhatter | 4 | Yes | - |
| 34 | Sunday and Sister Jones | Roberta Flack | 5 | Yes | - |